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Spirits of the dead review

The French title Histoires extraordinaires is from the first collection of Edgar Allan Poe's short stories translated by French poet Charles Baudelaire; the English title. Spirits of the Dead is a 'omnibus' film comprising three segments. Full Review Scott Weinberg Apollo Guide May 8, While Spirits of the Dead . It offers pleasures above and beyond its status as a relic of a groovier and exponentially more swinging era. Production. /10/15 A view on Blu-ray by Gary W. Tooze. Spirits of the Dead aka Histoires extraordinaires, [Blu-ray] Review by Gary Tooze. The Vadim is as overdecorated and shrill as a drag ball, but still quite fun, and the Malle, based on. [Toby Dammit] is marvelous: a short movie but a major one. · Only Fellini (Toby Dammit) really manages to make much of his source. · [Toby Dammit]  . Critic Reviews for Spirits of the Dead · Intriguing and mostly successful. Spirits of the Dead R , Horror, 1h 57m 86% Tomatometer 21 Reviews 65% Audience Score 1,+ Ratings What to know critics consensus Three auteurs descend on the works of Poe, each putting on a. Spirits of the Dead R , Horror, 1h 57m 86% Tomatometer 21 Reviews 65% Audience Score 1,+ Ratings What to know critics consensus Three auteurs descend on the works of Poe, each putting on a. eccentric. it is strange to see a film ignoring its artistic virtues. . a sort of experiment. seductive. and full of nostalgia. because it is only a puzzle of directors and texts and actors and memories. In contrast to Vadim, Malle is so talented at the art of suspense that he can make a simple card game exciting. Some. This was a tight, satisfying little story. The Vadim is as. "Toby Dammit," the first new Fellini to be seen here since "Juliet of the Spirits" in , is marvelous: a short movie but a major one.

  • Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel countess haunted by a ghostly horse, a sadistic young man haunted  .
    • Mar 19, It offers pleasures above and beyond its status as a relic of a groovier and. Full Review Scott Weinberg Apollo Guide May 8, While Spirits of the Dead doesn't. It offers pleasures above and beyond its status as a relic of a groovier and exponentially more swinging era. Horror stories are often . · John reviews the new blu-ray The concept of treating horror fiction with respect and care when it comes to adaptation to the cinema is one rarely realised. /04/30 Written by: Roger Vadim, & Pascal Cousin, Louis Malle, Clement Biddle Wood, & Daniel Boulanger, Federico, Fellini & Bernadino Zapponi. The visuals  . From the surreal airport opening and through to the inevitable tragic ending with Terence Stamp performing at his very best, this is a joy to watch. "Spirits of the Dead" features three segments from European directors(Vadim,Malle and Fellini)all based on Edgar Allen Poe short rainer-daus.de segment seems to deal with a different vice or sin,with some type of a supernatural retribution for each rainer-daus.de second segment("William Wilson" by Louis Malle)is stronger than the first("Metzengerstein" by Roger Vadim),but the best by far is "Toby Dammit" by Italian auteur Federico rainer-daus.de recommended. seductive. and bizarre. it is strange to see a film ignoring its artistic virtues. stars, romanticism, the shadow of edgar allen poe and the mark of directors. . and full of nostalgia. a sort of experiment. it is strange to say what part is most remarkable. eccentric. because it is only a puzzle of directors and texts and actors and memories. Nonetheless I've long wanted to catch up with AIP's post-Corman-Poe cycle cash grab Spirits of the Dead as part of my . It's fair to say I'm also not the world's biggest Edgar Allan Poe fan. Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel countess haunted by a ghostly horse, a sadistic young man haunted. The five-star main attraction is Fellini's Toby Dammit, with Stamp as a dissolute English film star in Rome to make a Catholic spaghetti Western, sucked into a. Find helpful customer reviews and review ratings for Spirits of the Dead at rainer-daus.de Read honest and unbiased product reviews from our users. Dec 4, Though the overall impact of the film makes it feel like a minor but fun diversion, Spirits of the Dead is a wonderful discovery that I  . The multi-language track sounds fairly clean and natural, and even has some power behind it. Arrow also presents the French dub of the film. The full-English dub can sound harsher around the edges and presents some mild distortion. Both of these tracks sound very good, though I think the multi-language track has the edge. Arrow also presents the French dub of the film. The multi-language track sounds fairly clean and natural, and even has some power behind it. Both of these tracks sound very good, though I think the multi-language track has the edge. The full-English dub can sound harsher around the edges and presents some mild distortion. Because Poe’s a whiz kid when it comes to . To adapt the literary works of Edgar Allan Poe is essentially a cinematic Kilimanjaro best not be climbed unless your name’s Roger Corman. ederico Fellini, Louis Malle and Roger Vadim adapt works by macabre author Edgar Allan Poe in the anthology film Spirits of the Dead [. /11/05 Synopsis. A triple-decker of Euro-adaptations from Edgar Allan Poe (whose name is misspelled on the box), breaks down to two weirdly fascinating bits of kitsch  . A trio of Edgar Allan Poe adaptations concerning a cruel princess haunted by a ghostly horse, a sadistic young man haunted by his doppelganger, and an alcoholic actor haunted by the Devil. Spirits of the Dead: Directed by Federico Fellini, Louis Malle, Roger Vadim. With Brigitte Bardot, Alain Delon, Jane Fonda, Terence Stamp. Though the overall impact of the film makes it feel like a minor but fun diversion, Spirits of the Dead is a wonderful discovery that I. "William Wilson" tells the story of a sadistic Austrian student with an exact double whom he later kills. — alfiehitchie. "Metzengerstein" features a medieval countess who has a love-hate relationship with a black stallion - who, it turns out, is really her dead lover. With good photography and excellent staging, the production is still let down by some rough edges, mainly the indifferent exteriors and a distractingly bad. Part 2: Alain Delon sword fights . Review by Chip ★★★★ 1 Part 1: Jane Fonda orgasms on a horse that may the reincarnated spirit of her brother while in the middle of a fire caused by lightning. Richard Corben has had a long and fruitful relationship with Edgar Allan Poe, whose tales of obsession and mania, which while often the. Review by Roy Boyd. Apr 30, Written by: Roger Vadim, & Pascal Cousin, Louis Malle, Clement Biddle Wood, & Daniel Boulanger, Federico, Fellini & Bernadino Zapponi,  . Spirits of the Dead is. Reminiscent of 8 1/2 and La Dolce Vita, Fellini's segment is both beautiful and surreal, with Dammit's self-destruction leading us inexorably toward a foregone conclusion. Far more enjoyable is hearing Malle reflect on the experience, "I had a terrible time with Delon, one of the most difficult actors I ever worked with—probably the most difficult actor I ever worked with.". The most artfully and faithfully constructed of the film's three segments, William Wilson is also the least fun. The Vadim is as. "Toby Dammit," the first new Fellini to be seen here since "Juliet of the Spirits" in , is marvelous: a short movie but a major one. Review: I'm only speaking of TOBY DAMMIT here I don't like the Vadim film, the Malle one is good but TD is leaps and bounds the one my fave. Rating: 5/5. The Vadim is as  . "Toby Dammit," the first new Fellini to be seen here since "Juliet of the Spirits" in , is marvelous: a short movie but a major one.
  • It is one that stands in awe of its characters despite the decadence of their moral codes. Ironically, in doing so it provides stories made inherently moral by their inevitable outcomes. Spirits of the Dead is a simultaneously unsettling and intriguing film.
    • Jane, adorned in colorful and revealing period costumes, plays the dissolute orgy loving castle dwelling countess who fails to romantically corrupt her horse-loving baron cousin Peter Fonda. It's a campy, joyless romantic medieval tale set in France (filmed in Roscoff, a small town in Brittany) about the transference of spirits. Spirits of the Dead (AKA Histoires Extraordinaires) is a strange French-Italian co-production made. /01/03 SPIRITS OF THE DEAD - Blu-Ray / Review. Try classic Edgar Allen Poe stories given a s spin  . A rare '60s oddity, Spirits of the Dead takes a weird premise and makes it even weirder. How weird? Tim Lucas presents a fundamental study full. Not only essential but entertaining too As a longtime admirer of "Spirits of the Dead" this book was a revelation. SPIRITS OF THE DEAD (aka: Histoires Extraordinaires) (aka: Tre Passi Nel Delirio) (directors: Federico Fellini (segment “Toby Dammit”), Louis Malle (segment “William Wilson”), Roger Vadim (segment “Metzengerstein”); screenwriters: Roger Vadim, Pascal Cousin (both adaptation and segment “Metzengerstein”), Louis Malle, Clement Biddle Wood (both adaptation and segment “William. Whether kept at bay or fully functioning, the film was a cautious embrace of the unspoken monsters that. When it came to 's brand of horror, those varied stories came closer to the truths than many could face. In Spirits of the Dead, viewers failed to find a refuge as they encountered the harsh realities which fiction hides so well. /10/04 "Spirits of the Apocalypse" Walking Dead Bourbon Review "We didn't really strike while the iron was hot on this one, boys." A sourced-but-not. The first, Roger Vadim's Metzengerstein, stars Jane Fonda as a cruel countess who accidentally kills the man she's obsessed with. An anthology based on Poe that's like all of them, with highs and lows, but more highbrow than most because of its directors. It's probably unfair to compare the three stories since they vary in themes, periods, and styles, but everyone inevitably does it anyway. Frankly, it is logical to assume that many viewers walked out during the Roger Vadim section, and never saw the last episode by Fellini. The fact that Spirits of of the Dead 's three segments vary so greatly in quality makes it the perfect picture to show someone who doesn't understand the difference between inspired direction and hackwork. This is a review just for the poem 'Spirits of the Dead' (as this page is the only entry for the poem by the author) instead of the collection.